Default: Quiet

Kali Henke

Can’t you speak?

My roommate smashes little buttons on a controller, the sound seeming to echo throughout the small dorm. Outside our door, our suitemates laugh loudly at some poor joke one of them made. Underneath the crescendo of voices, I can hear the small hum of the radiator heating our shared space. Outside rain gently taps our windows, and cars drive past, their engines the music of the street. Even in the quiet library, you can hear little taps of keyboards, and stifled laughter from the whispering students. No matter where you look or where you turn, there is no place where you can find absolute silence.

What? Did you say something? Talk.

Bodies move against one another as I stand close to the wall. Music thrums loudly, my heart replicating the thunderous beat. Cheeks flushed and slight heavy breathing, I stand with a water bottle tightly clutched in my hands. The boy who tried to talk to me earlier standing a few feet away from me sending me strange glances. I avoided his eyes the best I could, trying to rid the sour taste from my mouth that the conversation left. The loud music caused a throbbing pain in the back of my head, but I ignored it. I swallowed my pain and moved to the rhythm of the music side to side. My tongue filled with heavy lead. The room around me screaming, but I was silent.

Don’t you have a voice?

A group of girls stared at me wide-eyed, their heads tilted slightly in question. Anxiously, I tug my sweatshirt sleeves down over my hands and keep my eyes on the ground as they start to fire off questions. Boom, boom, boom, one after the other, the bullet-like questions lodged themselves into my head but my lips remained shut. My tired tongue remained still as the air was heavy with anticipation, as I subconsciously gnawed on my lip.  The girls shared a glance. The silence was the only thing we shared as I waited for them to leave— they did.

Do you not have vocal cords?

I have never seen a bird not sing or an artist not doodle on a sheet. I have never watched an actor not cry on command or a slow-fingered pianist. Each thing in this world has a place, on a stage, in a notebook, or inside someone’s memory. But where does silence belong? Tongue heavy and anxiety-ridden habits force my lips shut, silence seeping from me. An anomaly, a voiceless stranger who wants nothing more than to scream but her heartbeat quickens threatening a heart attack. The sound of my heart like a drum, be-be-beating ever so quickly, my lips hanging slightly opening, but nothing coming out. Silence. Where do I belong? Too quiet for a stage, too plain for a notebook, and too forgettable for a memory. I’m an apology with no meaning, a fading tart taste on a tongue that stings but quickly fades. I fade too quickly to be remembered, not there long enough to even be forgotten, just ignored.

Louder. Use your voice.

I am. I swear, I am. My silence louder than the public’s chorused voices. My silence says everything I can’t, only to those who choose to listen. My eyes, my body language, all tell a story I can’t relate with noise. A safe haven for all things silent. Thoughts, memories, and art. Silence has become a forgotten art form, there. Existing— Belonging. Silence belongs here, surrounding me and my unmoving lips, as my roommate smashes little buttons and laughter fills the room outside my door. Quiet, a choice I made from the moment I could. Silence—my default.

I can’t ever hear you.

From the day we are born, we enter this world screaming. Our throats aching with a type of rawness that seems to never fully heal. As children, we grow into wanting attention that increases into unsatiable cravings. The idea of sitting quietly and alone becoming our worst fear. A voice — their voice becomes a constant reassurance that they exist. Those who choose to be loud, turn to others who replicate their fears, desires, and loudness. They match their laughter and pity those who whisper. For, if you are not heard are you really alive? No one has fully heard my anxious worries or doubts, but I exist, contrary to what others believe. My own throat swallowing the burn, choking back my voice, letting it sit in my stomach—burning into a fire. My fire erupts and flourishes on pages, it becomes burned into the memories of those who take the time to read and understand it. My voice may not fill the world to the brim and I may not contribute to laughs or the whispers but I’m heard. I’m loud in a different way because everyone has a default, everyone has their own way of having their voice heard and that’s okay.

Numb

Brianna Allen

They speak of all kinds of numb here in the North. The been outside for five hours and the snow has soaked through my layers numb; the wood stove went out again numb; ice fishing all day long in 30 mph winds numb. There are many types of numb we all know, love to hate, and discuss here in the North. No one talks about the emotional numb that we may come across in our lifetime, however. The sitting in silence, not feeling the earth beneath you, staring at the floor numbness. The hole in your chest, static in your brain numb. The numbness of losing a loved one, your best friend, or even yourself. Everyone talks lightly about the harsh winter numbness we all experience, but no one prepares you for the detrimental numbness of your soul that comes with tragedy.

When I was just eight years old, I first experienced this soul withering numbness. My step father was introduced to me when I was three, was diagnosed with cancer when I was six, and was harshly taken from me and my family when I was eight. May 9th, 2006 started as a normal school day for me and my four siblings, until we were all called out of school, told that today was the day we were to go say goodbye to our father and step-father. I will spare the gory details of the two prior years, how we watched this man, who had help raise us, wither away, death knocking on the door he sat in front of, waiting to take him away. When we got to the hospital my mother was sitting on his left side, holding his limp hand, telling us that even though he couldn’t respond, he could hear us, and we should tell him anything that is on our minds and in our hearts. To look at one of your family members as they lay in a bed with tubes coming out of every orifice, is terrifying; but to eight-year old me, this was just the moment my brain stopped working. I gave the half-assed goodbye, telling my comatose step-father that I love him and will miss him. Each one of us went in the room by ourselves, while the others sat in the linked family room through a solid wooden door. I sat in that room for what seemed like days, as each of my siblings said goodbye. That room still comes to me in my dreams sometimes – the pale blue walls with dark wood trim and dark blue stiff, plastic couches. The huge television wardrobe that held a 32” television, wood matching the trim. I sat in that room for hours in silence, eyes fixated on the dark blue carpet with red texture. I sat in that room for hours with ears that did not work, everything sounding like it came from a mile away. I sat in that room in silence for hours, thinking I was going deaf, until the loud screeches of my mother hit my ear, like she was screaming right in my ear.

A numbness hit my chest in this moment, as if my heart had left with my step father’s soul. Minutes, hours, days may have passed. At one point the preacher came in and said a prayer, but, to this day, I’m not sure a single person in that room could have told you what he said. At some point we must have gone home, and some point the day must have turned into the next, which turned into the next, which eventually turned into the day of the funeral. The day of the funeral was dreary. The skies cried cold, early May rain, mimicking my step father’s loved ones as they stood around his six-foot-deep home in the ground. They said their goodbyes in silence, sending their hearts to the sky, as I stood there, paralyzed, unable to feel what the people around me felt.

No one warns you about the numbness that overcomes you when tragedy strikes – how your heart may leave your body for days, months, or even years. Everyone is ready to tell you of the good that will come of it one day – how you will be stronger, wiser, happier even. Everyone hands out advice to look to the future, while only some have the capacity to hold your cold hand through the hurt. It’s hard to see the lighter side of numbness, to laugh at your own temporary inability to feel. I turned a blind eye to the light, letting numbness make a home inside my carcass. Until one day I felt, like the tingling of a foot waking up feels, I felt. I felt all of the pain that had built up for years, and I cried. I cried for six years, until I had let it all out. And then I rose up, tall and strong, like a sunflower fully grown to stand in the light. I grew from my tragedy; I grew strong, happy, and proud of who I am and what raised me. Nobody warns you of the numbness that life can bring to you. We don’t talk about it like the weather. But, just like the winters of the North come and go, so do the seasons of our hearts and grief. June comes around and brings flowers and sunshine, just as life will bring light after a cold, dark winter.

Five Paces

Jennifer Gauvreau

Step back five paces. That was the rule. I was told as a young girl to stand at least five paces away from paintings, in order to really take them in and enjoy them. My parents were both active members of the arts community, and a result, my exposure to the arts was deeper than that of my peers. It was always my inclination to move very close to a painting. As a youth I really wished to experience art (and all of the things in my world) with all five senses. Of course, this notion is absolutely ludicrous, as it would not be fitting for a little girl to be wandering the halls of the Art Gallery of Algoma licking paintings and running sticky fingers along the ridges of wild oil paint. So, very early in life, five paces away became the rule.

Growing up, I found it to be needlessly inhibiting and contradictory, the five paces rule. The hippies who ran the kids’ art programs in the teaching room were all about freedom and joy, reckless abandon, oddity for inspiration. When we created art, it was of absolute importance that we felt free to do what we wanted, how we wanted. Yet, a few feet away in the gallery, we were to be silent, reverent, and distant.

When you move in real close to a painting, you see more than a content image. Go ahead, look closer. Don’t be afraid to look— on the tongues of Medusa’s snakes lie a thousand fables and lessons. Look closer and you’ll find the passion of a painter: brushes blitzing, complexions colliding, oils oozing, tint tenting to form piles of pigment and scraped down valleys. You’ll find the clockwork of colour, and the tempo of tempera. Does this view enhance or diminish the humanity of the painter, the craftsman, bent over his work, trying with every brush stroke to reach across the void?

Now, step back. Make it five paces. Take it all in, allowing your eyes to dance across the canvas. Maybe this is a more comfortable view. Do you understand more, or is it less from here? The painter is now traveling through time and space to touch your very soul. They are creating poetry in paint- humanity on display, essence expressed. Upon meeting your eyes, the craftsman’s reach across the void becomes an artist’s embrace, encircling you with all that it is to be a part of the human condition.

For a long time, I was stuck in the binary viewpoint. I thought I had to choose between openness and inhibition, experience and appreciation, immersion and altitude. The longer I consider point of view, the more sure I become that both ways of experiencing art, and life, are vital to the human experience. Moderation in moderation. Wildness in waves. Five paces be damned.

 

Stargazing

Ana Robbins

 

 

I remember wanting the stars. I wanted to see them, be under them, connect to them. I think I knew I was made of stardust long before Carl Sagan broke the news to me. I grew up in a double-wide trailer in a southern town of 200 people. “Light pollution” was not a phrase in my vocabulary yet. When the sun went down over my trailer park, I could look up at the sky and pick out the big dipper, the little dipper, Orion and his famous belt, Leo the lion, whatever the crab was called, and countless others that my mom’s book on constellations listed. I wanted to soak them in, see them move across the sky as seasons changed. When I looked at them, I was outside of myself, seeing what used to be there millions of years ago. There was only one problem: I wasn’t allowed to look.

My mother had a…rule? neurosis? quirk? when it came to nighttime. As soon as the sun went away, no matter how early it was, it was time for me to go to bed. Maybe she thought it was more natural to plan her child’s rhythms by the rotation of the earth rather than the clock, but it could have just been an excuse to send me to bed. Either way, I always complied. As a kid, her motivations had no impact on whether or not I would do as she asked—fear of her response did. And so, I would see my happy ass off to bed, resigning myself off to the next four to six hours of staring up at the ceiling, wide awake.

Softened darkness. Mom’s nightlight in the hallway always bugged me. I wanted TOTAL darkness, not some “comfy” middle ground. I wanted to be completely away from my life, unable to sense where I was in relation to space and time. If I couldn’t see it when I opened my eyes, maybe it wasn’t there. The glow at my bedroom doorway prevented that happy fantasy. So, I laid still, holding my stuffed bunny named Bunny, and stared up at the ceiling while the minutes ticked away.

Finally, I heard the TV turn off and mom’s bedroom door close, signaling her own retirement. Good. Hopefully she’ll be asleep soon. My back started cramping, so I started to shift my weight onto a hip to flip over. A horrible, deafening CREEEEAAAAKKKK stopped the movement in its tracks. God, I hated that bed. I knew if I made too much noise early on, I’d keep my mom awake. The fewer hours in the day she was conscious, the better. My eyes focused on the air, tear liquid crackling in the dryness. The air was starting to swirl into colors and pictures, congregating and solidifying on the thin film of my pupil. Tiger shaped rainbows, clouds made of steel—it’s gone! Shit. I blinked. I held my eyelids open, and waited for the world to de-focus again so I could find more stories.

A half hour passed. Gunk had started to build up in the corners of my eyes and my back was screaming at me to move. I listened as hard as I could, straining to find even the slightest hint of wakefulness from my mom’s end of the house. Nothing. Not a single shifting sheet was to be heard. Slowly, I raised my upper half off the bed and pulled myself into a sitting position. The groan of the bed was low and quiet; I hoped it didn’t travel too far. My legs bent into a kneeling pose as I steadied myself, heels firmly planted into my butt. No sound. A good sign. The grey metal window frame was tantalizingly close at that point, steadfastly covered by my room’s yellow plastic blinds. The turning stick to adjust the angle of the blades had been removed to prevent me from opening them; Mom said the light would just heat up the house and raise our energy bill. I should turn on my light instead. Yeah, okay mom, makes perfect sense. I put out my index finger and slowly pushed one of the blades aside, causing the rest to follow in a V formation. Slowly but surely, what I desired was revealed to me: the window. And through my little four inch face space, I could see the night sky, completely lit up with stars. There were so many, millions, even! It was as if a rich giant had been walking home from the diamond store and had tripped over Earth, spilling her haul into an inky black sea. There were so many diamonds, I marveled that I could even still tell it was night out. Each tiny light, so far away, so free. I wanted to go outside, lay under them, just look at them, figure out their very existence. Who were they? I was part of them, I knew. If I understood them, then maybe—

“LAY DOWN AND GO TO SLEEP.”

Glossy

Caitlin Crum

 

When I was a kid, taking my picture was a hassle. The flash was too bright, and smiling made my cheeks hurt. There are quite a few photos, mostly hanging in my childhood home, where I look as if I’ve just eaten a lemon, eyes squinted, pained by the thought of having to look presentable. Why on God’s green earth would anyone need a picture of me, when they could see my face every day? Certainly there must have been better ways to save the memories from when I was small than to force me into a lace dress and set me on top of a giant number 2 and make me smile like I was the happiest child in the world, when really it was just the photographer looking ridiculous with a stuffed dog on top of his bald head.

School pictures were even worse. Nobody ever looked nice enough, and parading 700 students in and out of the band room probably didn’t give those photographers the inspiration to make all of us look nicer. Out of thirteen years of over-posed, inconsistent photos I only like the ones I took my senior year of high school. My school allowed us to submit our own photos, so I took them all over town—in places I cared about, places I loved more than anything—instead of sitting up straight on a stool in front of a green screen, with over-combed hair and a fake-as-anything smile on my face. I never understood why my family wanted so badly to keep those untrue photos, to spread them to my kin like some kind of glossy-paper plague. They were ugly; they were hideous; I was hideous.

In 2014, I was sitting at my desk, in a too-small dorm working on some assignment that probably has no bearing on life now. My dad called and I picked up the phone like always, expecting the similar dance of conversation. He asked me how classes were, if I hated my roommate yet and how much coffee I was drinking to stay alive. There was a long pause, followed by a “There’s something you need to know” and a drop in my stomach like a fall from an eight story building. It was then that I understood why they kept all those ugly, worn-out, touched-up photos: they froze time. We lost my mom to brain cancer four months after that phone call, and in that time, I printed more pictures of her than I’ve ever printed in my life. I hung them up around my room, like a shrine to who she was. They hung on every wall, door, flat and vertical surface I could find because I wanted the photos to remember her. The photos don’t remember her puffy face, or her hospital visits, or her incoherent babbling; those things weren’t my mom. They remember her love for coyotes, us singing in the kitchen before dinner, her glasses and long fingernails. In those photos, she is glossy.

There is one in my bedroom, printed and framed, of her clad in a red sweatshirt, holding me, a toddler with a bowl haircut and a flashing grin on my face. I don’t remember the photo being taken, but there it sits, asking to be looked at. It was a sunny Saturday in September. My family was on Mackinac Island, visiting, and I was three years old. I’m being held by my mother because I never wanted to take the photo in the first place; I am facing backwards in pure protest. It’s funny, when I think about it, that picture I don’t remember taking—and didn’t want to be in—holds so tightly a grip on my memory. It’s a piece of frozen time for me to hold in my hands like a hundreds-of-years-old document of who we were on September 17th, 1999, softly lit by sunlight sprawling through orange-brown trees. She holds me tightly, like nothing could possibly happen that might tear us away from each other, our matching outfits a reminder that we are just carbon copies of the same stubbornness, the same quick wit, the same too-loud voice. I don’t remember the photo, but the photo remembers me, and I remember my mom because of it; I am warmed by her eyes, encouraged by her smile and transfixed by the way I look just like her now, like I instead am the piece of frozen time that keeps her here.

Family Reunion

Ana Robbins

 

Well, it wasn’t the first time I had been stuck in the middle. My stepdad’s truck bounced, rattled, and shook as he simultaneously kept us on the shrubbed-over forest road and shifted gears with the stick between my legs. Since the vehicle was a pickup with only one row of seats, my stepdad Ted sat in front of the wheel, my mother got the passenger space, and I got the 8 inches of seat in between. In order to make the setup work, I had to have my rear squished by my respective parents’ buttcheeks, then allow my legs to straddle the stick shift while trying desperately to keep my knees out of Mr. Driver’s way. Yes, the truck had seatbelts. Had. All that were left of those little stabilizers were chewed tufts of nylon strap on either end of the truck cabin.

As my self-proclaimed highbrow mother stewed on my right, incensed at having to sit within such trash, the stepdad to my left calmly hummed a Hank Williams tune while looking through the scratched windshield. The low-hanging, thick trees on either side of the practically invisible trail hit the glass every second or two. Entirely unphased, Ted stared straight ahead into the green, somehow seeing a clear path neither of his two passengers could even sense. As the branches tried in vain to buff out the nicks on the front glass by adding as many new ones as possible, I sat wondering how long a leg can stay asleep before it falls off. The truck radio/clock didn’t work, so I had to try and figure out how long we had been on the road in my head. Right when I was close to closing in on the correct number of months, Ted’s imaginary road suddenly curved, and his truck dutifully complied. My body became pressed against his side, while my mother kept herself upright by the sheer force of her own indigence. By the time the centrifugal force released its hold on me, the truck had rolled into a clearing, revealing evidence of human infestation. Tree stumps dotted the small hole of forest, allowing for a wild trailer to sprout from concrete block seeds. Angered by the intrusion, trees grew up from below the dwelling, cementing their existence on, and at some points through, the particle board/sheet metal walls. Undaunted, the inhabitants of the caged in trailer strung white Christmas lights from one tree trunk to the next, to the next, about seven feet above the ground. The lights stretched across the house to almost every tree still standing within the thinned out area. Taking some design sense into account, the lights were double strung above a large wooden hot tub situated between two half dead evergreen trees and five tree stumps. The tub sat, uncovered, on an old slat porch, no longer attached to its house. Perhaps its building went to seed; hard to know for sure.

We parked the truck next to another pickup, a tractor, two rusted red cars, a 4-wheeler, a windowless van, another 4-wheeler, and a stationary bike. Perpendicular to all that was a “white” car up on blocks with a visible beehive hanging off its ceiling over the back seat. I tried to ignore the implications of that as I tumbled out of the truck behind Mom, who still looked like wires had been hooked on the insides of her top and bottom lips, then connected to her inner sphincter and pulled tight. I saw a few young men putting large rocks into circles and carrying large logs in preparation for the three bonfires we would light in a few hours, once dusk came. Ted came around the truck and gave us a quick glance before striding right up to the door of the trailer. I followed him while trying to keep Mother in my general sights. I caught up with long-stride Ted just in time to have him open the front door for both of us. As the white metal door swung open weightlessly, my face was met with a warm blast of humid, stale, thick white air that smelled like a rotting rat had been rolled up in poison ivy leaves and smoked. Two tall teenage blondes played with their new flip phones in one corner, actively ignoring the four little boys with feather headbands on running from room to room in the tiny house, shooting each other with Nerf guns. In the opposite corner from the silent, morose puberties was a group of three adult ladies, all with drinks in their hands. They, too, ignored the commotion in the house, and certainly didn’t treat our entering with any fanfare. But Ted didn’t seem to mind, and I soon found out why. He put his hand on my back and led me forward into the room, over to where a full-sized bed was pushed unceremoniously against the wall. Sitting on the end of the mattress was Mary, the woman who most people there were related to. Later in the night, she would remark how each person there had come out of her in some way. I think the concept of shame had left her a long time ago. She had light brown, short straight hair, a stale-smelling cigarette in one hand, an ashtray on the bed, and an oxygen tank on the floor with tubes running from its top to around her neck and into her nose. One eye always stared at the wall next to her, while the other focused onto me and my third stepdad. But all these things were not what made her intriguing. That honor went to her size. Sitting at the foot of her bed, she took up the entire width of it. At 750 pounds, she was the largest person I had ever encountered. Turns out, she could not fit through any of the house’s doorways anymore, thus why her bed was in the living room. She gave me a huge, jovial smile.

“Oh, my goodness! Well, aren’t you the prettiest girl! Ted, you lucky buck! Just turned 13? She’s the cutest! I bet he spends every minute he can with you, right? Do you look just like your mama? I bet you do. Do you want some food? Can’t wait ‘til the fires get started to get some food in ya! Have you met everybody yet? I’m sure they’re gonna love you—here, here’s a box of cookies. Come, sit next to me! So, what do you like to do? Draw? Write? I bet we have some paper around here somewhere…”

This woman was by far the most wonderful, sweet, caring, and comforting human I had ever been in contact with. I was used to being ignored at my biological family’s events, pushed aside or even pecked at by underhanded jabs from the mouths of old hens I hated being related to. I felt at ease being next to her and her non-judging tone and kind gaze (from one of her eyes, at least). Ted went outside to find my mom, who apparently hadn’t felt the need to enter any building that might have been on the property. I stayed inside with my new favorite person, who had just offered to show me pictures of my “new family” from some of her albums.

Two hours later, I was grinning from ear to ear as I listened to Mary tell me story after story while making sure I always had a snack in my hand. Ted poked his head into one of the open windows to tell me that the bonfires were going and hot dogs and s’mores were being served. Mary softly shooed me outside, assuring me that everyone would love me and to enjoy myself as much as possible. I reluctantly stepped outside, where I was greeted by an amazing scene. The bonfires lit up the whole yard, illuminating fifteen or so people mulling about, drinking beer, poking the Christmas lights with sticks, and throwing marshmallows at each other. Two citronella torches had appeared in front of the old hot tub, allowing me to see three pasty old men sitting in the now-full tub, drinking out of off-brand Solo cups and letting their white beards tickle the top of their wet beer guts. Mosquitoes congregated above the flames of the torches, making their grey bodies shine silver.

I finally caught a glimpse of Ted and my mom sitting on a log next to one of the bonfires, Ted leaning forward to talk to the people on the other side of the heat, and Mother sitting up as straight as possible, as if she could levitate over the dirty log if only she stretched upwards enough. I walked over and almost sat next to her, but decided to take my chances with an at home lecture about “abandoning” her rather than facing her current state. I sat next to Ted.

From this vantage, I could finally make out some of the people in our little cornered circle. Two middle-aged women sat on the log next to ours on the left, nearest Mom. On my right was another log, this one covered in what looked like mushrooms, and two older men plus a younger man sat on that one. I sat silently, wishing I could be back in the house with the nice lady, when I felt eyes on me. I looked to the right, and the younger man was looking at me, leaning in, and smiling. I smiled back and turned to look at the fire. Whatever conversations were going on around our little powwow were lost to me; their voices just seemed to blend into the cicada songs and frog croaks in the background. A few of the kids, still awake and full of energy somehow, ran through the yard, past the hot tub, over a dog asleep next to the car on blocks, then nearly dogpiled onto themselves when the leader tripped over an extension cord in the tall grass. I wondered how I hadn’t noticed the bright orange electrical snakes before; they ran all over the ground, going from the grill to the hot tub to an outdoor outlet on the trailer, and even right through one of the open windows. Intrigued, I decided to follow them to figure out where they came from. My eyes traced them over the ground, past the fires, under the porch with the tub, into the bushes, up into the trees, and finally…directly into the electrical box at the top of a telephone pole. I grinned in disbelief at the sheer illegal genius. In the middle of wondering if they got cable from that box too, I noticed the young man’s eyes on me again. He got up and asked if I’d like a burger. I said sure, and followed him to the grill. We chatted on the way, him saying hello to family as we passed by. He got me a burger, asked if I wanted cheese (I did), put it all on a bun, and handed it to me. As we walked back, he said hello to an older man who was significantly thinner than the hot tub gentlemen. He asked who I was, and my escort responded that I was the daughter of his uncle Ted. We continued on, and it only hit me after I sat back down that he hadn’t said “step-daughter.” He took the spot of log next to me, and started talking with Ted over my head, trying to include me in the conversation, too.

After a few hours, when all the burgers and hot dogs had been consumed and everyone was goodly sloshed, Mother decided it was about time to head back home. I was standing under a canopy of lights near the now-empty hot tub, smiling and standing in the middle of about five jovially drunk men, plus Ted and his nephew. Seeing my mom approaching, I sensed the position of the moon in the sky and poked Ted’s arm. “I think it’s time to go,” I whispered. From my other side, I felt a poke on my arm: it was the nephew. He asked if I had a cell phone. Before I could answer, Ted had his arm around me and walked me away from the circle. I was confused, but didn’t question him. We went inside the house to say goodbye to my new favorite person before we left. She gave me the best hug I’d ever had, and sent me on my way with some paper, crayons, and another cookie.

I found out on the car ride home, in no uncertain terms, that the young man did, indeed, think that I was his biological cousin. He also thought I was 14 and quite attractive.

He was 28.

Passion Runs Wild

Sydney Smith

 

A horse can gallop across a field in a matter of seconds, due to its 1,200 pounds of pure muscle, a vehicle for power and strength. Man broke the horse, and with that came a connection unmatched by anything else. People all around have depended on the horse for centuries, and rode them like the wind. Hundreds of hooves pounded the earth in unison as horse and rider flew to their anticipated destinations with eagerness and pride, or no destination whatsoever. For some, the horse is just a mode of transportation or business, but for others, it is a source of the purest moments of bliss that are given with the mere sound of a snort or a whinny.

When I was younger, I would pull out any excuse in the book to be allowed to meander down the dusty, tree-lined lane that led to my aunt’s barn. Whenever someone said they were walking down there, I was at their side, waiting to be asked if I wanted to ride, do chores, or simply sit and appreciate the view. I would spend hours upon hours sitting on old, wooden tack boxes, letting the hairy lips of my favorite four-legged friends nibble away at the red and white striped peppermints that rested in the palm of my hand. I would walk up and down the aisle with a well-used broom, sweeping away every little speck of dirt from every little crevice in the stone floor, just so I would not have to leave. The barn still has the same effects on me today that it did back in those days of childhood innocence. Now, I am a more mature version of that little girl who fell in love with horses, but the spark is still there.

When I hit the dirt road and hear the gravel crunch beneath the tires of my car, I know I am minutes away from the barn coming into view. Putting my car in park, my mind relaxes, while the horses show their enthusiasm, tossing their heads, the hair of their manes flying wildly. I take a deep breath in. The calm rushes over me, but the excitement of that little girl at heart will always be there, just itching to burst out. The barn, small and comforting, is my favorite place to wonder off to. I would be content with life if it was the only place I was expected every day.

Like clockwork, I pull on my grey and white polka-dot rain boots and unhook the gate that leads into the sloppy pasture. As if I expect anything else, my favorite red gelding comes trotting up, his entire being caked in mud. I give him a quick stroke down his beautifully slim face, throw on his leather halter, and we make our way back to the barn, traversing the small lakes that the rain likes to test me with every so often. The dust goes flying, as if on its own little mission, as soon as I bring the curry comb out and start running it in circles down his muscled back and withers. The muddy nuisance finds its way into his forelock and rabbit-like ears, every time. It does not bother him one bit, though. Delight springs into his eyes when the crinkle of a peppermint wrapper is heard; it is something that will never change even as the years pass by, and we both grow in age and experience.

We never truly outgrow our childhood passions, the things that consume us and make our hearts beam. We pretend like we can live without them. We struggle every day to convince ourselves that we are on the correct path. The righteous path. The path that will make everyone else proud of what we have devoted our lives to. We have to set aside our childhood dreams and aim for something more realistic, if we are to do what society expects of us. We put on our makeup, and we slip into dresses or suits or lab coats, and we pretend that it is what we truly want in life. We lie to ourselves every day.

It is only when we allow ourselves those moments of freedom, moments where nothing is expected from us and we can just be, that we remember where our hearts actually lie. Close your eyes and image where you would be in life if the restrictions, the pressures, the stressors, and the judgement all vanished. It is something that people talk about all of the time, but never actually pursue—reaching for the heart’s true desire. The point of life fades if you are not doing what makes you happy. For some of us, the point of life is not getting all dressed up to go to a sophisticated job, our lives revolving around the flow of money into our bank accounts. Some of us are perfectly happy just slipping on mud boots to go catch a 1,200 pound animal, and that choice—the choice of undying love and passion over superiority and refinement—is something beautiful that should not be looked down on.

Drink

Ana Robbins

 

The glare from my modest, 21 inch monitor sears my vision, prompting me to lean back in my heavily padded, brown faux leather desk chair and press my palms onto my eyelids. The slight pressure on my eyes coupled with instant darkness seem to act as a reset button for the senses; I feel my dry eyeballs being blessed with viscous salty fluid, revitalizing my wish to open my eyes and experience my home office, my place of wishes. In front of me sits a heavy, homemade desk, crafted from large wooden beams left over after one of my love’s construction projects. On top, there is a layer of padding covered by soft black fabric; cold silver grommets hold it all in place. While my eyes’ thirst may have gotten quenched, my mouth now pushes its demands to the front of my brain. My tongue scrapes at the roof of my mouth, a lack of moisture between the two making me hyper-aware of the tall ridges running all along my mouth’s ceiling, and the grating sensation caused by scraping them with the dry bumps of taste and texture erupting from my tongue. My pupils contract in search of fluorescent green relief. To the right of the monitor, next to a life-sized clay vial of purple skooma, I see a half-empty 20 ounce bottle of slick, caffeinated, fizzy, cold, resuscitating Mountain Dew. I lean forward in my chair eagerly, and reach out to grasp the thin, textured plastic. It’s warm to the touch.

That is not a good sign. My thumb and forefinger wrap themselves around the bottle’s white cap before my brain is even aware of the movement. With a quick, practiced twist, I hear the slight, slow snake-like hiss of compressed air being released from prolonged confinement. My mouth salivates as the hiss shoots dew onto my skin. I remove the cap, pushing it into my palm as my hand forms a fist. My other hand, grasping the worryingly warm plastic, brings the open, waiting bottle towards my face, towards my open, waiting thirst. I feel the hard rim against my bottom lip.I tilt the drink almost fully upside down, spilling the max amount of refreshing liquid into my

PHEUUUGHHHHHHHHHH!

…flat.

Shaken

Ana Robbins

 

It was such a simple comment. So obvious. Almost rhetorical in its mundanity. “You see the way he treats you, right?”

Of course I knew how he treated me. I was there, wasn’t I? I said yeah, yeah, I know, and we dropped it. I knew what was up…right?

But then I started looking. My subconscious mind drove my observations, and it steered me into obstacles I had ignored the smacking pain of. Lying about where he’s going, skipping work any day he could. Telling me I’m worthless and “the cause of all his problems.” Threatening to kill my cat just because it didn’t like him. The drugs. The temper. The insults. And that was just week one.

I started to examine him and us closer at the start of week two. This time, it was his physical actions that came into focus. Not holding any door open for me. Forgetting to unlock my side of the car every time. Turning away from me whenever we sat together. Not looking at me when either of us spoke. Not engaging me in anything. Completely ignoring me until he needed food, sex, or a shoulder. I started feeling…a little gross.

Week three. What’s the quote from that Shakespeare sonnet? “Love is not love?” Yeah. That. The binding connection, the need I used to feel for him was beginning to chip away. Starting a new medication, he said that if it worked to quiet the voices in his head, then he would stop doing all non-prescribed drugs. That’s…good, right? Right…I fell in love with the real him, surely! Not some glass-eyed, pseudo-intellectual…oh, who am I kidding. The first DAY on this new medication and off the drugs told me everything I needed to know. Without the drugs, he was more crude, more cruel, more crap than ever before. Instead of using sly wordplay or the façade of a joke, he just straight out insulted me throughout the night in front of two of our friends. His eyes were clear and glassy at the same time. I was seeing the real him, the part of him he liked. I was too shocked to cry, too in pain to go numb. I existed in a stasis between the two.

Week four. The talking to others began. I started letting little comments about my own unhappiness slip out. Friends at the gay club heard about some of the insults; a coworker found out I was not satisfied. My best friend heard that I was thinking about other options for living arrangements. Some of his friends began to press me as to why I put up with him, and I would finally tell them that I didn’t want to anymore.

One night, standing outside on my porch with his best friend, he looked at me in earnest and asked what I was going to do.

“I need to leave. I hate myself. I need to go back to school. I’m tired, I’m cold, I’m miserable. I’m sick of being around people who hate me. I need to break away from my mother. I need to get the fuck out of dodge.” When I came to, I was crying in the arms of this person I barely knew, planning my escape.

At the one month anniversary, I was in a car with a total of two boxes of belongings, my cat, and every fear I ever carried. I told myself I was done, that nothing could change my mind. But I stared at my phone in the passenger’s seat. One text. That’s all I wanted. One text asking me to stay, to turn around, to come home. One statement of him reaching out to hold onto me. I thank every lucky star that had ever seen fit to shine on me that he never sent that text. Instead, a flood of insults and hate came rushing into my poor device, practically shaking its battery loose. “You were never strong enough to be someone’s wife, anyway.” “You have no life without me.” “How much of my shit did you steal?” “Where’s my black socks?” “You left a fuckin shirt behind.” “This is all your fault.”

I waited in vain for one, just one mention of love or longing or sadness at my sudden absence. The manipulation that had kept me there now allowed me to stay on a direct course in the opposite direction.